Adam Smith

“We rarely hear, it has been said, of the combinations of masters, though frequently of those of workmen. But whoever imagines, upon this account, that masters rarely combine, is as ignorant of the world as of the subject. Masters are always and everywhere in a sort of tacit, but constant and uniform, combination, not to raise the wages of labour above their actual rate…Masters, too, sometimes enter into particular combinations to sink the wages of labour even below this rate. These are always conducted with the utmost silence and secrecy till the moment of execution; and when the workmen yield, as they sometimes do without resistance, though severely felt by them, they are never heard of by other people” In contrast, when workers combine, “the masters..never cease to call aloud for the assistance of the civil magistrate, and the rigorous execution of those laws which have been enacted with so much severity against the combination of servants, labourers, and journeymen.” – Adam Smith, Wealth of Nations, Book I. Chap. viii

2009 Motion Graphic Design Census

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Please take a few minutes to fill out the first-ever Salary Survey for the Motion Graphic Design industry. Thank You!

Motion Exchange

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There’s a new social network dedicated expressly to Motion Designers. You should join. And we should all try to make this a place that works for us. As Harry Frank says in his introductory post, What I’d like to accomplish with The Motion Exchange:

As a newly transplanted freelancer in LA, I’ve seen my credentials emailed out routinely to various shops in the area, and I’ve seen the same shops posting for jobs looking for people with my exact credentials. As I’ve seen over and over, there is a lack of cohesiveness to the motion design industry that connects those that need talent to the talent that is out there.

Let’s make it work, people.

Smilefaucet EXIT in NYC tonight 11/18

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Where: Fontana’s @ 105 Eldridge St. Between Broome & Grand
When: Wednesday, November 18th @ 7pm

Screenings: 8:30pm & 10:00pm
Door: $2

With special guests TBA!
We’d love for you to come out and celebrate this occasion with us!

Munnyworld

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PSST’er Aaron Stewart has work in Kid Robot’s Munnyworld exhibition in NYC. Opening Tonight Nov. 12 from 8-10 Pm at The Eloquent Deliquents Gallery 41 Wooster St. Three days only!

Make A World

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Make A World is a film that Steve Juras is currently working on, a documentary about Ed Emberly. The film’s site has just gone live and you can help out by purchasing an amazing T-shirt featuring all 400 illustrations from the Make A World book. Awesome! All proceeds fund further production of the documentary.

One XL, please.

Experimental Jetset Q&A

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Great interview with Experimental Jetset at Unit Editions:


Q: To outsiders there is a strong sense of Experimental Jetset being a trio of equals. Is this the case?
A: Yes, absolutely. We function best as a group. It’s only when the three of us are together that we feel completely safe, that we can deal with the stress, tension and daily deadlines that come with graphic design. We are not only colleagues, but also happen to be neighbours and best friends. At times, it feels as if we are a cult or a gang (to reference The Clash; ‘the last gang in town.’)

We were recently watching West Side Story, a musical we’ve seen a million times before, but only now realized that the gang in the movie was called The Jets. ‘When you’re a Jet, you’re a Jet all the way/From your first cigarette to your last dying day’. Childish maybe, but it gave us a boost of energy.

Most graphic designers become graphic designers because they have an urge to make work that they can call their own. Is it possible to satisfy this need within a studio of three equals?
We can call all our work our own, because the three of us have an important input into it. In our view, that’s one of the advantages of being a two-, three- or four-person studio: it’s small enough for everybody to feel involved, but it’s large enough to have the benefit of the collective; that magical feeling when the whole turns out to be more than the sum of parts.

We really like that idea of hundreds of small studios circling the orbit, almost like bands. Because we really think all these small design groups together form a universe that is very comparable to that whole galaxy of pop and rock groups. …

Talking about bands, when it really comes down to it, we think that it is ultimately the band model, and not so much the studio model, that really inspires us. A band is such a perfect socio-economical unit. Large enough to have the benefit of shared responsibilities, and small enough for every member not to be alienated from the end product. We sometimes think every human activity should be organized according to this model. Society should be divided in small units, each unit a platform of human creativity, be it baking bread, making music, writing books or curing people.

And the archetypical band is, obviously,
 The Beatles, as it was one of the first modern four-piece bands writing their own material. Earlier bands were still divided between a frontman and a backing band (for example, Buddy Holly and the Crickets), but The Beatles broke this whole model open, and pointed to a completely different division of labour, a revolutionary change in thinking. The ‘John & Paul & Ringo & George’ shirt we designed in 2001 should certainly be seen as a homage to the archetypical model of the band.

via Yotam

The Wrong Max

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PSST’er Joey Garfield’s story of trying to cast Max in Where the Wild Things Are at Post It Note Stories. Awesome.

Interview (Sort Of)

David OReilly:


“The world has so much to offer. It’s beauty and variety are paralyzing if you think about it too long. I enjoy temporary distraction from a safe distance. I sleep. I wake. I remember old friends and wish I could see them again. I wish I could thank people more. If anyone is still reading this please switch off your computer and spend time with your loved ones, you never know when they might leave you or you might leave them. Life is so short.”

Read more here.

Right Place

“Do you like where you’re living?
Do you like what you do?
Do you like what you’re seeing . . .
When you’re lookin’ at you?
Do you like what you’re saying . . .
When you open your face?
Do you got the right feeling?
Are you in the right place? “